Theology in Film: How Christian Themes Permeate Classic Movies

by Kenneth Francis

Kenneth Francis reflects on deconstructing the narrative and on a more nuanced cinematic theology with Christian themes and subtle undertones on the spiritual dimensions in the subtext. He endeavors to analyze core messages in the psychology, symbolism, denotation, connotation, and metaphors in a short selection of film classics over the past 60-plus years and highlights the broader visual implications at play in semiotics in the moral universe which we inhabit infused with Existential, metaphorical timebombs. Such a universe contains love, hate, joy, jealousy, guilt, poverty, wealth, beauty, ugliness, truth, lies, justice/injustice, revenge, freedom, slavery, suffering, and much more, all in 24 frames per second.

Paperback: $14.95 | Kindle: $9.99

TESTIMONIALS

 

“A compelling read for our time as unsimulated sexual perversions and other such screen fetishes are entering into our mainstream cinematic experiences!” – Dr. Sebastian Mahfood, OP, author of The Narrative Spirituality of Dante’s Divine Comedy

​ABOUT THE AUTHOR

Kenneth Francis is a freelance journalist and Contributing Editor at New English Review. For the past 30 years, he has worked as an editor in various publications and print media, as well as a university professor in journalism. He also holds an MA in Theology and is the author of The Little Book of God, Mind, Cosmos and Truth (St Pauls Publishing); The Terror of Existence: From Ecclesiastes to Theatre of the Absurd (with Theodore Dalrymple); and Neither Trumpets Nor Violins (with Theodore Dalrymple and Samuel Hux).

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